A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES by Unknown artist

A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES by Unknown artist

A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES by Unknown artist

A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES by Unknown artist

A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES 18th century

Unknown artist

BoneIvory
Price on request

Zebregs & Röell - Fine Art - Antiques

About the artwork
A COLLECTION OF FOUR SRI LANKAN IVORY BIBLE BOXES

18th century

All in the form of a book, some with shaped backs, one pen-engraved.

The largest: W. 21.6 x D. 13 x H. 6.3 cm

The smallest: W. 20 x D. 11 x H. 5 cm

Provenance:
Private collection, London

Note:

In the Dutch East Indies, many Dutch and Indo-Dutch ladies on their way to church were accompanied by a slave carrying a precious little bible box. To show off their wealth, these boxes could be made of gold with inlays of gemstones, of silver, ivory, tortoiseshell or at least of expensive woods. In 1753 Governor-General Jacob Mossel esteemed it necessary
to regulate ostentatious displays of wealth. In his “Regulation against pomp and splendour,” he decreed, among other things, that only the wives or widows of the highest-ranking VOC officials were allowed te be seen publicly with gold bible boxes. Lower-ranking ladies had to do with ivory and tortoiseshell boxes.
About the artist
It might happen that an artist or maker is unknown.
Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.
As well you can find the following description:
•“Attributed to ….” In their opinion probably a work by the artist, at least in part
•“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision
•“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil
•“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary
•“Manner of ….” In their opinion a work in the style of the artist but of a later date
•“After ….” In their opinion a copy (of any date) of a work of the artist
•“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt
•"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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