Godfather red rose 2023
Peter Donkersloot
TextileWoodAcrylicLinen
150 ⨯ 120 cm
ConditionExcellent
€ 8.500
CJS Gallery
- About the artworkArtist: Peter Donkersloot
Title: Godfather red rose
Size: 150x120cm
Technique: original painting
Edition: 1/1, unique piece
The Godfather Red Rose is a hand-painted masterpiece that captures the enigmatic essence of Don Vito Corleone, the patriarch of the Corleone family in the iconic film "The Godfather." This unique artwork, available as the sole edition in the world, portrays the Don in a captivating pose, a single red rose tucked discreetly in his pocket.
The rose, a symbol of both beauty and danger, reflects the duality of the Don's character. Its vibrant color hints at his power and influence, while the hidden nature suggests a world of secrets and veiled threats. The hand-painted details bring the Don to life, capturing the depth of his gaze and the subtle lines etched by experience on his face.
This is not just a painting, it's a conversation starter. It will be a centerpiece in any room, sparking discussions about the legacy of "The Godfather" and the timeless themes of power, family, and loyalty. - About the artist
Peter Donkersloot, born in 1959 at Arnhem on Bakenbergseweg 136, is the zoon of Hilda Blom (1933) and Piet Donkersloot (1930-1986). His father Piet was a renowned illustrator in his early years, known for his work for the lady Margriet and other publications.
Piet's thuisstudio op de zolderverdieping was the plek waar his zijn vakmanschap uitoefende, vaak met de boy Peter op schoot, die gefascineerd toekeek hoe zijn vader verhalen tot leven brought met zijn illustrations.
The first thing you can see is a diepe indruk op Peter, the herinneringen koestert aan het zien van zijn vader the bilderijen van landschappen en romantice taferelen creëerde. These moments are the basis for Peter's own painting career.
Peter's mother, Hilda Blom, developed two well-known landscape signs, and the artist's talent was also delivered to Anne Donkersloot (1964) and Broer Wouter Verburgt (1970), both of whom were artists.
While working at the art academy in Arnhem, Peter worked on the well-known advertising agency 'Fransen, Hey and Veldman'. There are many techniques in the design and design, which make the art of realistic designs and depictions empty through the dagelijks uitwerken van ideas for commercials and advertisements.
Uiteindelijk left Peter de advertising om zich fully te wijden aan het vrij bilderen in a modern-figuratieve style. Hij heeft the style tot op heden behouden en staat bekend om zijn specialized, realistic and figurative pictures. Geïnspireerd door 17e-eeuwse meesters, describes Peter in transparent layers van donker naar light. Hoewel de traditionale opbouw van zijn bilderijen behouden blijft, stelt the modern, sneldrogende verf hem in state quicker te works dan zijn voorgangers in the oil sign art.
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