Iris Le Rütte (1960) is a Dutch artist known for her versatile and poetic work, which spans painting, drawing, objects and installations. Her work is characterized by a subtle and reflective approach to space, time and the human experience, often using symbolism and a carefully chosen use of materials.
Le Rütte was born in 1960 in the Netherlands and developed as an artist at an early age. She studied at the Academy of Fine Arts in Rotterdam, where she further developed her passion for visual arts. Her work shows influences from traditional painting, but also from conceptual art, in which she plays with the meaning of the objects and images she creates.
What makes Iris Le Rütte special is her ability to transform seemingly simple, everyday forms and materials into profound, layered works of art. She often uses natural elements, such as wood, paper and textiles, which she processes in an organic and refined way. Her work evokes a sense of fragility and vulnerability, but also of a quiet strength that lies in the simplicity of the materials and shapes.
Her paintings and drawings show a subdued use of color, often with soft, subtle shades that create space for contemplation. The objects and installations she makes are often about transformation, transience and the human relationship with nature. These themes also emerge in her spatial work, which often seeks out the boundaries of traditional painting and sculpture.
Le Rütte has presented her work at numerous national and international exhibitions, and her work is included in important collections, both in the Netherlands and abroad. In addition to her autonomous work, she is also active in the world of public art and has carried out various commissions for both public and private institutions.
With her understated and contemplative approach to art, Iris Le Rütte has positioned herself as an artist who focuses on the deeper layers of reality, inviting the viewer to connect with time, space and matter in a more meditative way. Her work continues to inspire and is praised for the way it brings together poetic elements and material complexity.
